#Silo series miniseries tv

Silo is the rare show where every word speaks volumes, every gesture seems meaningful, and every element of the frame tells a story. And the direction from Morten Tyldum deftly balances intimate drama with epic visuals (the silo has no elevator, just a very long stairwell that seems to go on forever).

The impeccable production design makes the silo seem genuinely lived in. Yost and his writing team - which includes Jessica Blaire ( On Becoming a God in Central Florida) and Cassie Papas ( Tyrant) - take time to introduce every character, establish their motivations and build a greater mystery. Throughout the first two episodes, Silo makes it clear that you're in good hands. I can't help but love a show that begins so confidently. There's no memory of the world before the silo, so most people concern themselves with keeping the city running instead of breaking out.

In this case, though, the population seems mostly content with their situation. It wrestles with complex ideas and moral questions, it's filled with memorable and realistic characters, and it features a truly distinctive setting: a 144-story self-sustaining underground city that's reminiscent of The Matrix's Zion. Spearheaded by Graham Yost (Justified), Silo exemplifies everything I love about great science fiction. Surely, this can't top Bong Joon-ho's bonkers Snowpiercer (itself adapted from an '80s French graphic novel), so why even bother? We've seen this story repeated so often throughout the history of dystopian fiction - most notably in Fritz Lang's masterpiece, Metropolis - that I wasn't immediately excited when Apple first announced Silo, an adaptation of Hugh Howey's wildly popular Wool novels. Then, a hero appears and threatens to topple the social order.

#Silo series miniseries tv

There was also a TV adaptation in the works at AMC, but those plans fell through as well.īuy a copy of Wool: Book One of the Silo Series on Amazon.You've heard this premise before: In a post-apocalyptic world, the remnants of civilization live in a stratified society, governed by oppressive rules as they struggle to maintain their humanity. According to Deadline, the film rights initially were optioned by 20th Century Fox in 2012 with Ridley Scott and Steve Zaillian leading the charge. Over the years, there have been multiple attempts to adapt Howey’s trilogy, but the Apple TV+ series, Silo, is the first to come to fruition. If the show is anything like Hugh Howey’s New York Times bestselling dystopian trilogy, then it will offer and expansive look at the the vast and mysterious Silo, the inhabitants who use it as the only line of defense of dying and dangerous planet, and those who wish to know the truth behind the lies, no matter what it takes. These questions, as well as several others, will drive Rebecca Ferguson’s Juliette on a quest for the truth, no matter what it may expose. And though the last remnants of humanity have called the silo home for years, no one knows exactly when it was constructed or why it was built in the first place. When Silo premieres in early May, it will tell the story of the last 10,000 people living on Earth, who have long taken shelter in a vast structure a mile beneath the surface of the planet, which protects them from the toxic hellscape, Apple TV+ has revealed.